Cara, our neighbors are just monsters!
Autumn red blood of network TV
What's behind the gate? The gated community, the last refuge of the middle class (they are building even a couple in Parma, btw) is a death trap populated by vampires, witches and werewolves. Shut out the outside world and live in a rich and perfection, where the rules are fully respected, the perfectly symmetrical and well-furnished houses, mowed the grass always smiling and families not only generates fumettoni sentimental populated with horny housewives like the residents of Whistler Lane discovered him at his own expense the family of Detective Nick Monohan degraded after moving from Chicago in a new and idyllic residential complex. One reason for the rest there and it's terribly simple: even the monster they are entitled, as stated in the U.S. Constitution, to live their American dream. Within a territory subject to its own laws, where Humans are in the minority, give vent to their nature is no longer a problem, but a right. A topsy-turvy world that recalls the hell made of everyday objects and distorted perspective of Jeronimus Bosch for the show created by the producers of Six Feet Under and broadcast on ABC with unexpected success in the summer.
Coming Soon, always on the Sky platform, the third season of the controversial True Blood. Drama and horror continue to mingle in the background of the town of Bonne Temps, and the climate of tension that the relationship between humans and vampires will bring new twists. Sookie Stackhouse (Oscar-winning actress Anna Paquin) telepathic waitress who falls in love with vampire Bill Compton (Stephen Moyer) will have to go in search of new companion who died fighting against evil forces and managing relations with the more ambiguous figures that are around her . Viewed by many as an allegory of the struggle for GLBT rights, True Blood has made headlines for the scenes to limit the hard (and for once good girls are shown only in the flesh, the face of obscene magazines in sizes zero to the catwalk Milan Fashion Week) and the lifestyle of luxury of the Vampires by squatters who refuse to integrate into society. Nothing to do with the romantic world of Twilight: murders, betrayals, explicit sex are shown and described with a thin film language and hard, in the original cut and accompanied by a soundtrack particularly original.
Original is also the decision to bring the small screen instead of the cinema, not to distort the timing and the atmosphere typically Comics, The Walking Dead , graphic novel by Rick Kirkman with a huge following in around the world. Launched by the Fox Halloween the series starts with an idea is not original: the police officer Rick Grimes (Andrew Lincoln, former star of one of the best productions ever made in the fantastic, the UK Afterlife) awakens from a coma in hospital. The world has since been hit by an epidemic that has turned the vast majority of human beings into zombie killers the his priority is to find the wife and son, along with hiring a small group of desperate survivors the struggle for survival . Very interesting is the performance: no social control humans banks the no worse than those monsters that give them the hunting. Boom in global plays and mini-series (only six episodes) already extended for another thirteen in 2011. Director and screenplay are signed by Frank Darabont (The wings of the Libet), which measures wisely and without having to resort to squalid living, pseudo experts ep the statistical aspects of gender and type the plots with others: the comedy for example. The insertion of
sociologically or politically relevant are part of a genre of storytelling that combines action always a part of a psychological and a part played on the tension and the most terrifying aspects of the zombie, or a person deprived of identity and transformed into a devourer. Everything else - the usual post-apocalyptic survivors religious variety, the difficulty of accepting the transformation of a family (the fundamental survival) and the need to live with jackals, selfish and cowardly (a moralism which the horror is always extravagant) made by the corol rio stories that in the end accounts have only one purpose: put the individual - who also handles the remote control - in front of the biggest fear. Death .
